I was excited to read it when I first heard the premise last summer: in an alternate version of history, the world was divided into Day people (Rays) and Night people (Smudges) during the 1918 Flu Pandemic. At the time, it was a way to increase productivity and decrease the crowding that led to more contagion. However, in the years that have gone by, it simply became the accepted way to live, with everyone’s activities limited by curfews. Until, of course, a night girl named Sol and a day boy named D’Arcy meet up.
There is lots going on in this book. On one level, it is an analysis of the kind of society that can emerge when we allow our governments to have too much control over every aspect of our lives. Just as one example, no one uses the phone any more (except to text) because “It was too tedious and expensive for the state to redact verbal conversations, and on the customer’s end, the ten-second time delay necessary for the redaction–along with frequent, irritating bleeping of content–spelled the death of person-to-person calls.” Isn’t that great? So much explained about the society and the government in one sentence!
On another level, it is just a solid, fast-paced adventure story, with chase scenes and hideouts. Sol has what she admits is a harebrained scheme to steal her brother’s baby from the hospital so that their grandfather can see the baby before he dies. Her brother has been reassigned to Day, and has not been in regular contact.
On yet another level, it is a great romance, as Sol and D’Arcy develop a relationship that has deeper roots than it first appears.
And yet again, it is also a story about the lengths to which people–all sorts of people–will go to protect the things and people they love.
I don’t want to go too deeply into the plot details here, since the book is brand-new and many people won’t have read it yet. But I do want to mention some of my favorite things about the way Fama has written the book.
On my second time through, I realized how carefully and cleverly the whole thing was set up. Every person or idea that would come into play later in the book was mentioned early on–even if I didn’t notice it the first time around. By alternating between sections (designated with time and day) that told what was going on in the present day and sections (designated with titles) that filled in the gaps from the past, she was able to give us the information we needed to know for the one story without slowing the pace.
I was impressed over and over at the way Fama can tell us so much in just a few words. The first line is terrific: “It takes guts to deliberately mutilate your hand while operating a blister-pack sealing machine, but all I had going for me was guts.” This tells us right from the beginning something important about Sol, and it is emphasized by the second sentence: “It seemed like a fair trade: lose maybe a week’s wages and possibly the tip of my right middle finger, and in exchange Poppu would get to hold his granddaughter before he died.” So in two sentences we already know that Sol is gutsy, impulsive, witty, and fiercely loyal to Poppu, all of which are played out in the rest of the novel.
I liked the way that the characters were not stereotypes or straw men–everyone was depicted in fully human shades of gray. People are defined by the choices they make, and those choices are often informed by the things–and people–they value. D’Arcy’s parents and Sol’s make different choices in similar circumstances, and the results affect their children in ways they couldn’t have anticipated.
There’s more I could add, but I want to give you a chance to have your say. I will conclude with another of my favorite parts of the book–the way that Sol and D’Arcy learned to see each other’s worlds, and especially the part where Sol shows D’Arcy the Milky Way and D’Arcy is able to top that wonder by showing Sol a murmuration of starlings. Coincidentally, just days after I read that description, someone on my news feed linked to this marvelous video of a murmuration that I can’t resist sharing here: